by Sergej Vutuc


Berlin, Neukölln
MBU STREET ZINE Issue Four, 28th August 2016
incl artist Fabiano Rodrigues , Raphael Zarka and Sergej Vutuc

Since 2010 Rodrigues has explored in his photographic work the position of his own body in relation to the architecture and landscape of urban centers. A former professional skateboarder and self-taught photographer, the artist portrays himself in movement, capturing the climax of maneuvers within previously planned compositions, using a remote control to shoot the camera. His performative accuracy goes sometimes in harmony, sometimes in disarray, with architectural forms, resulting in great and geometric images, drawn by a magnificent play of light and shadows. Rodrigues prioritizes symbolic and modernist constructions, such as the those designed by Oscar Niemeyer, having also photographed inside Pinacoteca do Estado de São Paulo, São Paulo Biennial Foundation; Tomie Othake Museum, in São Paulo; Museum of Contemporary Art in São Paulo and Rio de Janeiro; Brasília National Museum, Museo de Arte Latinoamericano de Buenos Aires (MALBA), in Argentina; Universidade Central de Venezuela (UCV, UNESCO World Heritage Center); Zamek Cultural Center, in Poland; Marrakech Museum in Morocco; FAU USP; Casa de Vidro Lina Bobardi and São Pedro Theatre, in Porto Alegre. The artist photographs mainly in black and white, making single prints.

Raphaël Zarka is one of a new generation of artists for whom existing cultural forms constitute the raw material for their work. The point of departure for his art, which encompasses photography, video and the written essay, is fundamentally sculptural in the expanded field of a twenty-first century artist. For many years a skateboarder and the author of several books on its history, Zarka’s idea of skateboarding, as a kind of re-writing of spaces destined for a particular use, rhymes with his approach to his artistic practice. Similar to the abandoned structures built for past moments of aspiration and endeavor, and the recurrence of forms put to new uses, Zarka’s reflections on skateboarding signal ecology of art making of critical and contemporary relevance. For him it’s not a question of an absolute reality but rather, what it is, has been or might be depending on the position from which you view it.
Extract from Raphael Zarka Geometry Improved, a text by Suzanne Cotter

The work of Sergej Vutuc is about observing the development of the modern society; a privatization of the public space and conquering the nature with concrete, on one side, and the natural human urge to expand one’s consciousness, to be in between, to exist playfully and live through imagination, on the other side. Skateboard culture is just one of many contemporary social subcultures whose philosophy is based on the aspiration for playfulness and urge to use the open space in the context of freedom of expression. Sergej researches this phenomenon and participates in it through his position of the modern nomad, whose radius of movement includes specific places such as Fukushima, Detroit, Israel and Palestine, strong symbols of on going human mistakes and wrong directions in social and economic development. Through his work, he grasps a surreal feeling of a new or parallel existence, and, even though it can sound utopian, moments of the shift of perception in the human and the society in general.
Dunja Jankovic, Skver